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BASED ON THE LIFE OF SOUTH AFRICAN ICON, SARAH BARTMANN

Exile Child

EXILE CHILD

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THE STORY

Torn from her South African tribe by Dutch settlers, sold as a slave, trapped in a world of debauchery and trickery, and humiliated while living in early 19th-century London and Paris, Sarah Bartmann clings desperately to her beliefs and the memories of her native land.  

Exile Child is more than just her story.  It is a tale of hope, of courage beyond human endurance, of the power of the human spirit, of a young woman who refuses to give in to the alien world into which she has been so violently thrust.

Torn from her South African tribe by Dutch settlers, sold as a slave, trapped in a world of debauchery and trickery, and humiliated while living in early 19th-century London and Paris, Sarah Bartmann clings desperately to her beliefs and the memories of her native land.  

Exile Child is more than just her story.  It is a tale of hope, of courage beyond human endurance, of the power of the human spirit, of a young woman who refuses to give in to the alien world into which she has been so violently thrust.

Suzanne Franco
Exile Child
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Exile Child
Exile ChildSuzanne Franco
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Exile Child is a historically correct and compassionate portrayal of one of South Africa’s most tragic heroines  This story gives an insight into the hopes and dreams of this Sarah Bartmann, who through past centuries has come to symbolise both the dispossession of Africans and the reinstatement of women’s dignity.

This flesh-and-blood portrayal of Sarah Bartmann is in direct contrast to the caricature presented as “The Hottentot Venus,” which has been characterised by Western society for many centuries. This book follows Sarah’s final journey back to her homeland in 2002.

Exile Child has received numerous favourable reviews from major newspapers, magazines and television reviews and is available online as well as in bookstores.

Audiobook
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AUDIOBOOK

Audiobook Available At:

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Suzanne Franco

REVIEWS

“Exile Child is a historically correct flesh-and-blood portrayal of one of our most tragic heroines.”

—  The Sowetan Newspaper

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